日照三河流域田园公园

　　留一片田园记忆在城市当中，场地现状为农田，设计保留场地肌理，栽植农作物作为城市中的田园公园。一架十字廊桥穿越场地，一条廊桥叫做“柴门”，由农作物、木材等再生材料构成，以表达田园生产的印象，一条廊桥叫做“土墙”，用来表达乡村生活的记忆，土墙的构造是夯土墙的方式，这是华北民居基本的建筑构造之一，土墙中进一步掺杂民居拆除后的建筑废料，包括砖、石、木、瓦等材料，作为城市化进程中的物质取样，并将当地民间艺术——日照农民画以壁画形式附着，作为与民间美术的对话。两条廊道的交接点为“打麦场”，在周边的玉米田地中，点缀沂蒙花布点染的景观灯笼，设计语言力求朴素和直白，符合场地的乡土语境，最终希望能给景观的体验者带来一种乡土的力量，进而带来内心上的一些触动。

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Leaving a pastoral memory among city, site situation was farmland, which was reserved in the design, and planted crops as pastoral park in the city. A cross roads across the field, called "Chai Men", a short consists of crops, renewable materials such as wood, to express the impression of rural production, called "wall", a short, used to express the country life of memory, the structure of the wall is rammed earth wall, this is one of the north China residential basic building structure, further doping in wall residential construction waste after the demolition, including materials such as brick, stone, wood, tile, as material sampling in the urbanization process, and the local folk art, Rizhao farmer paints adhere to in the form of paintings, as a dialogue with the folk art. Two corridor of the intersection of the threshing floor, in the corn fields around, river bank Mongolia ornament cloth touched the landscape of lanterns, design language is simple and straightforward, conform to the local context, eventually hopes to landscape experience brings the power of a country, and then bring some touches on the inside.